Amplifying silenced voices

Producer, Jenn Lunn reflects on the show and why it's important for us all that these stories and experiences are being ​told on our stages…

Angry Snatch: A Reclamation Job in 15 Rounds is a beautiful, poetic and striking piece of performance art theatre exploring the ​journey of recovery from intimate partner abuse. It was created from the lived experience of the writer/performer Frankie ​Walker along with experiences and stories from other women consulted for the making of this piece.


Working with experienced director and facilitator Meg Fenwick and renowned choreographer Cai Tomos, Frankie has ​translated this material into a 70-minute “hypnotic and lyrical” performance. It celebrates the strength and resilience of those ​who have been on this journey and have fought to feel empowered again. Set in a boxing ring, the piece uses boxing as a ​metaphor for the struggle to overcome the destructive and trapping nature of coercive control. It also features because boxing ​played an important role in the actual recovery of the artist. Combining this incredibly physical and energetic display with ​dance, spoken word and music, the piece offers what the Scotsman newspaper, called “an impressionistic examination of ​intimate partner violence.”

  • 1 in 4 women in England and Wales will experience domestic abuse in her lifetime.
  • The police receive a domestic abuse-related call every 30 seconds.
  • On average, one woman is killed by an abusive partner or ex every 5 days in England and Wales.
  • It takes, on average, 7 attempts before a woman is able to leave an abusive relationship for good.


These statistics from refuge.org.uk show the serious and endemic nature of abuse in England and Wales. This production aims ​to raise awareness and understanding for those on the outside of it whilst allowing those with lived experience to feel seen, ​heard and a little less alone. It aims to empower everyone to speak out against any kind of abuse or controlling behaviour and ​to start to change those statistics and put an end to violence against women.


Angry Snatch just had a hugely successful run at the Edinburgh Fringe attracting an incredibly diverse audience – from world ​champion boxers to local community organisations, regular fringe theatre-goers, international programmers and producers and ​local boxers. Staged site-specifically in Port O’Leith Boxing Gym, the show took on an even more nuanced appeal as the ​audience sat amongst the punch bags and equipment and were invited to participate by ringing the boxing bell to mark the end ​of each round.


Anahit Behrooz’s review in the Scotsman gave the show four stars and finished by saying:


“The intimacy of individual trauma, the fury against the structures that permit it – is gutting and enraging in equal ​measure. No violence is shown, but its presence across every layer of society is palpable.”

Audience feedback has been incredible with many audience members taking time to sit with and speak to the company after ​each performance – often sharing their own experiences and how the production has touched them.


“This is a really beautiful piece of work. The subject matter has the potential to be disturbing for the audience (and of ​course the performer and creative team) however my overriding experiences of the piece are of beauty and strength.”


“The performer has utter clarity and presence throughout, as well as true vulnerability. I think these are some of the ​reasons I feel safety and trust in how the subject matter is handled.”


“Such a rich, raw and validating experience. Thank you for speaking to the many faces of abusive relationships and ​reclamation. Treacherous sleep, self-doubt, blame, guilt, separateness from feeling.”


And from a local boxer who the company met at a local gym…


“It’s not my cup of tea usually, that kind of thing. But I’m really glad I came. I really enjoyed it.”


Come and see for yourself. Join us out on tour in Wales throughout September and October.


Jen

Audience feedback

★★★★ The Scotsman


No actual depictions of violence will be shown in Angry Snatch: A Reclamation Job in 15 Rounds, we are informed by a cool, ​calm voiceover in the first few minutes. No upsetting images, no jump scares, no sudden brutality. But violence – its unnerving ​absence, its chilling inevitability – sits heavy and choked over the 70 minutes of the play. A physical theatre piece set in a ​boxing ring and fragmented over 15 rounds, Angry Snatch subverts languages of power and threat in order to explore the ​devastation domestic abuse can leave behind.


The setting of the boxing ring, taking place in the real-life Port O’Leith Boxing Club, could easily follow a predictable narrative ​of reclamation, yet there is a real cleverness to the way space is used in this play. The roped-off square of the ring, within which ​our singular actor is trapped, acts as both home and cage, creating a terrifying slippage between the two. Innovative lighting ​and sound design, meanwhile, are used with cinematic effect: transforming the fluorescent-lit, rubber-scented space of the gym ​into a claustrophobic world soaked in red light and reverberating with stifled cries and sudden bells.


Written and performed by performance artist Frankie Walker, Angry Snatch’s vignette-like structure eschews easy teleology ​and allows for an impressionistic examination of intimate partner violence. All the sections are well considered, although ​certain moments are more memorable than others: a phone conversation with an automated helpline plays out with a Kafka-​esque futility, while an hypnotic lyrical piece on the impossibility of sleep pulls the tension taut. The duality of this approach – ​the intimacy of individual trauma, the fury against the structures that permit it – is gutting and enraging in equal measure. No ​violence is shown, but its presence across every layer of society is palpable.

Frankie Walker presents / yn cyflwyno

Angry Snatch

Connect / Cysylltu

Jen Lunn, Producer / Cynhyrchydd

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jennifer_lunn@hotmail.com

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Supported by Arts Council of Wales/Wales Arts International through the Wales in Edinburgh Fund and by Aberystwyth Arts Centre.


Cefnogir gan Gyngor Celfyddydau Cymru/Celfyddydau Rhyngwladol Cymru drwy Gronfa Cymru yng Nghaeredin a chan Ganolfan y Celfyddydau Aberystwyth.